Pricing in a bad economy

Just read a blog post about the temptation to lower your prices when things aren't selling.
Assuming your prices are set correctly (whatever that is) in the first place, it makes a lot of sense.

Looking around, I sure haven't noticed many other sectors slashing prices. Sure, there are the department stores that have huge retail markup having 50% of sales, but you can be sure they are not selling below, or anywhere near, cost. If they are, they're making it up elsewhere (loss leader to get you in the store) or they're teetering on bankruptcy.

I thought this really fit in with a common theme I've been seeing out in the pottery blogosphere about how people are doing in the down economy. The thinking that makes the most sense for me is that, yes, the big expensive pieces might not be selling right now, so you might want to offer smaller, less complicated, time consuming pieces if you don't already. But offer them in addition to your other pieces, because you just don't know what will sell on any given day.

Check out Molly Gordon's blog here:
Why lowering your prices doesn’t work and how to resist the urge

Mark Hewitt in Raleigh,NC

Mark Hewitt will be the guest speaker at the October 6th meeting of the Triangle Potter's Guild. The meeting will be 6:00PM in Stewart Theatre at Talley Student Center on the NC State main campus.

See the meeting flyer here:
Meeting Flyer

and Directions to Talley Student Center.

Starting again

The blog posts have been few and far between for quite a while now. It's been everywhere from physically impossible to just painful or inconvenient to do much pottery at all since the accident last fall. While I have been able to keep up with the day job, it just doesn't leave much time or energy to do the fun part, POTTERY. I really find it hard to blog about it if I'm not doing it.

Since I can't do much myself, I have been trying to keep up with all the other pottery blogs and see what everyone else is up to. I've also spent a lot of time incubating ideas for forms and techniques I want to explore when I get back to it.

And so I began.

First, I had to renew my studio card, which I'd barely used in the past year. Then reacquaint myself with the studio. They've changed white stoneware clay bodies 3 or 4 times since last year I think. I still had a nearly full bag of one of the old ones hardening in my locker.... I wasn't wild about it to begin with, so I got a fresh bag of Loafers Glory, and started over. Little Loafers had been a favorite of mine, so I was happy to see it's big brother. LG is apparently cone 6-10, where LL is strictly 6, so they went with LG to simplify what they had to stock. I'm actually pretty excited to see what it does in a saggar firing.

I threw a couple 2 lb. 'vase-like objects', just to see if I remembered how, and get a feel for the clay again. The first one was hard, nothing seemed to flow. But the second one went a lot easier. This all took about 90 minutes - pretty much the limit of my endurance at this point. I never was the fastest thrower in the world, I like to take my time, but this was slow!

Having a bad day?

The next time you're having a bad day and a pot or two collapses because you were pushing the envelope a bit too far, just remember these guys...

Gallery opening in Fayetteville

One of my teachers and mentors, Edge Barnes is having an opening at Cape Fear Studios, 148 Maxwell St. in Fayetteville, NC this Friday, June 26 from 7 - 9 PM.

The show runs through July 22, 2009. If you're in the area, check it out!

For directions go to www.capefearstudios.com

To see more of Edge's work go to:
http://www.edgebarnes.com/

High tech from the 1700s

A while back, I read an article in Ceramics Monthly about 'kacheloffens', or tile stoves. The idea intrigued me of having a large massive wood stove that used the fuel to heat up the tiles and slowly release it back into the room. This is accomplished by burning very hot, and using a long fule/chimney that winds back and forth through the oven so that most of the heat from the fire and smoke is absorbed by the brick and tile. 

Then a few days ago, I ran into another article on Low Tech Magazine about the same thing. Apparently developed in Europe due to shortages of firewood, they are very efficient, more so than the metal stoves known here in the US. Metal heat up quickly, but cools just as fast, requiring continuous tending. The tile stove is only lit once or twice a day, burns very fast, hot and more completely, with less fuel, and slowly heats with a more moderate warmth all day or night.

Is there anyone out there using one of these 18th century marvels? 

Progress report

After a particularly busy week last week, I finally got a chance to get back in the studio last night.

I threw 2 2lb vase forms with the new Standard #240 white stoneware. I'm thinking it's at least as good as the old 563, if not better. I didn't have much trouble controling it or getting decent height from it, and that's significant given how out of practice and challenged I am right now.

Overall, a very satisfying evening.

Another day, another clay

I'd recently gotten a comment on my clay review post on Standard #563 from Curtis that it had been discontinued. Standard has replaced it with #240, another smooth white ^6 stoneware.

So when I went to buy new clay last night, and discovering they were out of my favorite Little Loafers, I got a bag of #240 to try.

It wasn't bad at all. I'm still out of practice, but it seemed a bit easier and well behaved than the old 563. I've mainly been trying to have fun and experiment, but I'll have to find out how well the new clay burnishes and polishes after a saggar fire.

6 months of blogging

Just recently realized that I've been doing this blog for 6 months now. Back when I started, I didn't know what direction it would take (still don't really), or if I'd even stick with it or have anything to say.  Apart from rather sparse posting recently, I'm pretty happy with it.

Here's a quick summary of a few fun stats so far:

1460 visits

36 Countries + US (All states except AK, HI, and RI)

Northernmost visitor - Rekjavik, Iceland

Southernmost visitor- Hobart, Tazmania

Top 7 countries in decending order:

US

CAN

UK

Italy

Brazil

Turkey

Australia

Languages:

English

Portugese

Italian

French

Turkish

Swedish

I'm going to head back to the studio today after work to celebrate!

New beginings for 2009

I finally got back in to the studio today. It felt good to get my hands dirty again.

My clay was pretty stiff after being there for the past 3 months, but I still had fun. I wedged up 3 pounds, cut it into 3 - 1lb balls and just played, making nothing in particular. Just ventering and pulling up, splitting rims, bellying out until it went wonky, then cutting it in half, and doing another.

I think the scraps are destined to be my next terra sig experiment, and I'll buy a fresh bag of clay next time

** Update **

I feel like I got kicked down a flight of stairs this morning....  but it still feels good to get dirty again!

Less is more

I've definitely noticed a theme of simplifying and minimizing in my life the last few months. Partly brought on by the lingering injuries and physical challenges of the auto accident, partly by a deeper urge to de-clutter the mental and psychological blockages that build up over time.

I've been away from clay for too long, and I'm coming to the realization that I need to start somewhere.  It's become clear that I won't be throwing like I did 6 months ago any time soon, but I need to get back to doing something.  Less clay, smaller forms, less time at the wheel in one stretch. Less expectations, smaller goals, less pressure on myself.  Physical therapy is making small, slow, sometimes imperceptible progress, and I need to be content with the same rate of progress in the studio.

Along these same lines, Leo Babauta has written a companion to his book 'The Power of Less' — a free ebook called “THRIVING ON LESS: Simplifying in a Tough Economy“.

Creativity 101

I read this today over at Zen Habits, another of my favorite blogs;

http://zenhabits.net/2009/01/the-secret-to-being-insanely-creative/

Great ideas for nurturing you inner artist and realizing that we're all creating things all the time, every day. 

Study Pottery in China

West Virginia University has just announced their 2009 schedule for study abroad in Jingdezhen, China.

 Sounds like a great opportunity. Last year I really enjoyed following Brad Lail's experience there at http://blail.blogspot.com/

More info on the program can be found at WVU's website at

http://art.ccarts.wvu.edu/international_programs/china_program